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Felix Votteler | 26-217, 2026

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Felix Votteler | 26-217, 2026
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Felix Votteler | Tübingen, Baden-Württemberg, Germany
26-217, 2026
14.6 x 15.24 x 15.24 cm | 5.75 x 6 x 6 inches

This small-scale oak work holds a space shaped by absence and growth. A central opening marks a former branch—once alive, now overgrown and enclosed within the tree. Rather than a void, it preserves a trace of what was.
Sourced from a tree removed out of necessity, the wood carries its history through rings, tensions, and scars. The surface is not painted but created through a reaction between powdered stone and the oak’s tannins, revealing and deepening its structure.
The piece reflects on holding space as an act of retention—where growth and loss coexist, and material carries memory forward.

Felix Votteler is a Germany-based artist whose work centers on the historical and mnemonic dimensions of wood. He primarily uses trees removed out of necessity, often from urban or culturally significant sites, treating them as carriers of personal and collective memory. Growth rings, scars, and traces of use become records of time and place. In series such as Wooden Archives and Rooted Memories, wood functions as an archive. A key example is Wooden Archives, created from ash trees from Grafeneck, a former site of Nazi “euthanasia” murders, where material and history are inseparably linked. Through subtle surface treatments, Votteler highlights these embedded narratives, emphasizing transformation and the passage of time. His work invites reflection on how histories persist within material and how objects can serve as sites of remembrance.

@ felix.votteler